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Were this thinking not in the framework of scientific work, it would be considered paranoid. In scientific work, creative thinking demands seeing things not seen previously, or in ways not previously imagined; and this necessitates jumping off from 'normal' positions, and taking risks by departing from reality. The difference between the thinking of the paranoid patient and the scientist comes from the latter's ability and willingness to test out his fantasies or grandiose conceptualizations through the systems of checks and balances science has established – - and to give up those schemes that are shown not to be valid on the basis of these scientific checks. It is specifically because science provides such a framework of rules and regulations to control and set bounds to paranoid thinking that a scientist can feel comfortable about taking the paranoid leaps. Without this structuring, the threat of such unrealistic, illogical, and even bizarre thinking to overall thought and personality organization in general would be too great to permit the scientist the freedom of such fantasying.

Bernice Eiduson Głębia: 3
Sztuka wojny, 36 forteli, Sun Tzu, historia Chin, kultura chińska, piękne opowieści, pięken sentencje, najlepsze tłumaczenie Sztuka wojny (The Art of War)